From the study of the works of Christina Saradopoulou we ascertain a semeiological work which primarily, through the study of the signs, records a phase of discrete appropriation of the painting code. It’s a phase of creation of the precise code, through an investigative procedure on the elementary signs of the language of the plastic arts.
Alfio Mongelli
Professor of the school of sculpture of the Academy of Fine Arts in Rome.
Description
Visual narratives that appear to be the imprints/traces of a hand digging deep into personal and collective identities; an attempt to explore the workings of the universe, perhaps to probe the ineffable core of the Cosmos itself.
Her works present a set of eloquent though abstract, stripped-down aesthetic proposals, where landscapes are a vibrant, dynamic organism to be charted, amorphous, immaterial, constantly changing – proposals that serve to articulate a new ethical framework for human toil and its evolution.
Thalea Stefanidou
Art historian/critic – Curator