Section: E.D.E.M. (2010) When in 2010 Apostolos Giiannos held his solo exhibition E.D.E.M. in the Titanium gallery, with works of painting and sculpture, he extends to his formal ends the reflection he formulated in the ONE WAY exhibition of 2007 (in Athens and Paris). These two exhibitions mark the artist's transition from gestural painting to detailed drawing.The dense color paste and maximalist abstraction that had established him as a leading colorist of his generation triumphantly give way to the pencils and thorough mapping of the composition. The vertical tables of E.D.E.M. they emerge from a passionate assemblage of episodes, linking human achievement with human crimes, grandeur with ugliness, and the wonders of civilization with the imprints of mass culture.Architecture plays an important role here, rewriting with a new maturity, greater smoothness and with the humor of a more pop approach, the poetry of the buildings that we first saw in the Memory series of 1999. With E.D.E.M. Giannos dares a new visual language full of moral reflection.