From the earliest years of his artistic career, he was an artist who stumbled upon the contradictions and paradoxes of the world. From his two parallel solo exhibitions at the French Institute and the Gazette, as well as samples of his work in group exhibitions, it became clear from the outset that he did not treat art as an autonomous aesthetic energy but as a lifestyle. This artistic orientation, of course, was based on personal experiences and concerns. Source: artmag.gr